Now paint the other parts in the same way! Now set the RGB slide to Yellow(1.0, 1.0, 0.0) and paint once more. When you're finished painting, enter the EditMode again and select the other side of the cap. Set the RGB slide to blue (0.0, 0.0, 1.0) and click to paint faces. Change the ButtonsWindow to the Paint buttons. Select the Clr Tex command to remove the texture from these faces. Press key to escape EditMode and open the Specials menu ( ). Now select the vertices like in this figure. In EditMode you can see the selected faces (you may have to press 'Draw Faces' in the lower right of the EditButtons. A nice trick is to select faces in EditMode. We can select faces in the Face Select Mode with, but we can only select faces that are facing the camera. Select the head object and enter Face Select mode. Now, we use Vertex Paint to paint the cap of our clown. It is also used to economize on the texture memory and to make static shadows. Vertex Paint is easy way to make materials for low polygon models. Make the woolen balls in the same way and parent ( ) them to the 'Neck' object. Finally change the Button Window to Material Buttons( ) to attach the material 'clown'. Look in the 3d Window (change to 'potate-mode' if necessary). This file is formatted as 'RGBA Targa', which means we can use the alpha channel for transparency.Д¬hange the ButtonsWindow to the PaintButtons and press Note: Halos will only show faces that face the positive X-Axis.Д¬hange to side view ( ), go out of Edit mode( ) and enter Face Select Mode ( ). Next, Change Front view( ), and Rotate ( ) all vertices to 90 degrees (hold ). Make sure the Double sided button is not checked, and Draw Normals is checked in the EditButtons. Let's make the clown's nose and the balls on his collar and hat.Д¬hange to top view ( ), and add a Plane Mesh ( > MESH > Plane) somewhere. It is often used for flares, lightning, and in this case something like a ball. The 'Halo' effect makes each face turn to the camera. When you're done press to exit Face Select Mode. You'll see the texture has been applied to the object. Press ' Load' button in the Image Window, and select 'facemap.jpg' from the texture directory.Д¬hange to 'Potato-mode' ( ) in the 3D Window. We'll use the sample file 'facemap.jpg' from the zipfile you downloaded earlier in this tutorial. You can paint textures more easily if you only select the faces that will need a certain texture before making a screenshot. You can use this screenshot as a template for the texture. If you want to paint a texture image, make a screenshot of the ImageWindow ( with the mouse over the ImageWindow). Select all the vertices with and Size them in the Image window so they fit the area you want.Click the 'Clip Image Icon' (marked with red in this figure).This UV-map is too small, so we'll have to resize it: Blender will show the UV Mapping in the Image Window. Press the key to bring up the 'UV Calculation Menu' in the 3D Window. Click icon in the 3D Window Header while holding the key. To do this we need to set the view to rear view first. Now it's getting about time to attach some textures to the faces. Also look at the Buttons Window and make sure the ' Light' button is pushed. You can see that the object is drawn in shaded mode. This command allows faces to receive realtime lighting from the lamps we set up ( Note: when you select the second Light the switch is set to off). Now we can apply a command to many faces at a time. Press key with the mouse in the 3D Window to open the Specials Menu. If not all of the faces are selected, Select All with. It is used for 'Track to', UV-coordinates, etc.Д®nter the Face Select Mode ( key) and change the ButtonsWindow to 'Paint Buttons' (click icon). The front is indicated by the Y-axis of the object. Press the Axis button in EditButtons and look at the 3D window (it should look like the screenshot when you have the button pressed). If you make objects in gameBlender, the direction of the object is important. You can select multiple layers for a lamp (click the layer buttons while holding ) You have to put lamps in same layer as the object that you want to light. You can see the layers in which the lamp is present.

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